Maisy Owen, a Nashville native, has been surrounded by music and the art of songcraft just about all her life. First came the viola at the age of 9, then guitar where she embraced fingerpicking under the guidance of the late

David Olney. Maisy’s unique sound, musical truth and stirring vocals inhabit her debut album Dark On A Sunny Day, produced by Robin Eaton and released by Tompkins Square.

Drawn to melancholic melodies and dark poetic imagery, accolades have come from the likes of MOJO, Uncut, Aquarium Drunkard and BBC Radio among others.

Originally native to a rural swathe of the Pacific Northwest, Jordan Day has been on the move since the age of 18. First Texas, then North Carolina, he eventually landed in Nashville, Tennessee. Far from the usual sound of music city, Jordan’s brand of country/folk music is reminiscent to the likes of Townes Van Zandt, Blaze Foley, and Merle Haggard. It is a stark contrast to what is heard on Lower Broadway in the current age.

Jordan Day’s close proximity to the American underground metal scene has made what some may call “strange” bedfellows for a country singer and guitar picker. With backing from Austin Lunn (Panopticon, WeV, Ahamkara), Charlie Anderson (Panopticon, WeV), and Andrea Morgan (Exulansis, The Keening, WeV) Jordan released his debut LP “Learning to be Empty,” in May of 2026. It’s eleven tracks of honest, raw explora*ons of topics such as substance abuse, sobriety, spiritual confusion, and heart sickness. The seams are rusted but the linings shine silver.