Chris Forsyth & The Solar Motel Band

Chris Forsyth & The Solar Motel Band

Sunwatchers, Olden Yolk

Fri, May 4, 2018

9:00 pm

The Hideout

Chicago, IL

$15.00

Chris Forsyth & The Solar Motel Band
Chris Forsyth & The Solar Motel Band
Chris Forsyth is a lauded guitarist and composer whose work assimilates art-rock textures with vernacular American influences. Long active in underground circles, he’s recently released a string of acclaimed records of widescreen guitar rock, and in 2013, he assembled The Solar Motel Band, who have quickly developed a reputation as an incredible live act, provoking ecstatic comparisons to visionary artists such as Television, The Grateful Dead, Popol Vuh, Neil Young & Crazy Horse, and Richard Thompson.

The volatile chemistry of the Solar Motel Band is evidenced on their Solar Live 10.15.13 LP (Electric Ragtime), recorded live in Philadelphia and released in spring 2014.

Intensity Ghost, the first studio album by Chris Forsyth & the Solar Motel Band was released to universal acclaim in October 2014 on the No Quarter label. It’s been named one of the best releases of 2014 by Uncut (#34) and the New Yorker. Aquarium Drunkard called it “pure unadulterated guitar heaven - classic rock remade.” The Quietus said, “It’s just immense.”

His most recent release with The Solar Motel Band is the double album The Rarity of Experience (No Quarter), released in March 2016. Raves have been universal. Pitchfork called it “a near-perfect balance between 70s rock tradition and present day experimentation,” NPR Music named Forsyth “one of rock’s most lyrical guitar improvisors,” and the New York Times calls him “a scrappy and mystical historian… His music humanizes the element of control in rock classicism (and) turns it into a woolly but disciplined ritual.”

In addition to Forsyth’s work as a solo artist and bandleader, he has been an inveterate collaborator with a diverse range of artists, including singer/songwriter Meg Baird, trumpeter Nate Wooley, analog synthesist Koen Holtkamp, and choreographer Miguel Gutierrez. He is a recipient of a 2011 Pew Fellowship in the Arts and resides in Philadelphia.
Sunwatchers
Sunwatchers
New York ensemble Sunwatchers return with the incendiary follow up to their 2016 eponymous debut, the appropriately titled “II”. The quartet continues to defy adequate description, incorporating elements of free jazz, psychedelia, punk, Ethiopian and Thai music and funk into a dizzy, invigorating sound.

“II” kicks off with the click of sticks and launches into “Nosebeers”, a righteous burner that writhes and squawks with heady desert vibes and white hot saxophone, sounding not unlike something akin to Group Doueh jamming with John Zorn. “The Hot Eye” is next, and the band doesn’t let up revving up an anxious marching beat into a raging squall that ebbs & flows with tidal waves of horn and guitar. The band has more in store for listeners, easing into the third track “There Are Weapons You Can Bring To School”. With it’s contemplative tone, the song sets a mood for the album, righteous, socially conscious messaging, no more evident than the message embroidered onto the tapestry that graces the front cover artwork: “SUNWATCHERS STAND IN SOLIDARITY WITH THE DISPOSSESSED, IMPOVERISHED AND EMBATTLED PEOPLE OF THE WORLD”. The band considers it both a mission statement & a battle cry: “We are musicians, and we will leave political specifics to those more qualified than we are. All the time and energy and passion we can muster we dedicate to writing, performing, recording and releasing music: instrumental music, released from the tyranny of semantics into the freedom and hopefulness of universality-of-connection. We thusly realize the need to become overt about our own intentions and our own mores; without the ease and accessibility of direct language, the onus is on us to express our principles in other ways.” The album’s second side opens with the barn-burning “Silent Boogie” with saxophonist Jeff Tobias tapping into the elemental fires of free-jazz skronk while the rhythm section hammers away like the Asheton brothers on a speed trip. “The Works” & “Flowers Of The Water (For Lou)” close out the album, simmering the boil, and firing the listener off into Interstellar Space.
Olden Yolk
Olden Yolk
Olden Yolk is a New York-based group whose penchant for dystopian folk, abstract poeticism, and motorik rhythms have enveloped them in a sound uniquely of-the-moment yet simultaneously time-tested. The project is led by songwriters, vocalists, and multi-instrumentalists Shane Butler and Caity Shaffer, whose interlaced vocals are found guiding each composition on their enlivening self-titled debut. The project was initially conceived in 2012 by Butler as an outlet for one-off songs and visual art while touring and releasing albums with the band Quilt (Mexican Summer). Following the release of a split-record with Weyes Blood in 2014, Olden Yolk became a collaborative entity.

On the album, Butler and Shaffer are joined by drummer Dan Drohan (Tei Shi, Uni Ika Ai) and guitarist Jesse DeFrancesco who round out the studio sessions and live-band. Drohan’s deep passion for jazz, hip-hop, and experimental percussion come to fore while Defrancesco’s minimal yet powerful guitar ambiences are heard swelling in the peripheries of each song. The album was recorded at Gary’s Electric in NYC by Jarvis Taveniere (Woods) with co-production, electronics, and mixing by Jon Nellen (Ginla, Terrible Records). Other guests, such as multi-instrumentalist John Andrews (Woods, Quilt, The Yawns) and violinist Jake Falby (Mutual Benefit, Julie Byrne), add to the mercurial nature of the record, creating a landscape tinged with beatific songwriting and transgressive underpinnings.

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Venue Information:
The Hideout
1354 W. Wabansia Ave
Chicago, IL, 60642
http://www.hideoutchicago.com