Moor Mother

Moor Mother

ONO

Wed, August 23, 2017

9:00 pm

The Hideout

Chicago, IL

$10.00

Tickets at the Door

The Resonance Series
The Resonance Series is the monthly experimental music series focusing on creative, dynamic, and radical performers.
Moor Mother
Moor Mother
A prolific voice in the Philadelphia arts community, Camae has digitally released more than a dozen EPs as Moor Mother and Moor Mother Goddess since 2012. Additionally, she has performed in the punk band, The Mighty Paradocs and is also the co-founder of Rockers! Philly, an event series and festival focused on marginalized artists. More recently, she has been an active member of Black Quantum Futurism Collective, a literary and artistic collaboration with Rasheedah Philips (The Afrofuturist Affair).
ONO
ONO
Webster Dictionary defines spook as a ghost or a spectre, and ONO's brutal, daunting new LP is teeming with them. But spook is also a racial epithet, and this double-meaning informs the album from start to finish. The spectre of race, of course, has defined our nation's history from its inception--it's the "long shadow," in Obama's words, that's with us always. Spooks, as bandleader P. Michael puts it with typical bluntness, is America--past, present and future.

It's hardly the first time the almighty ONO have brought their vision to bear on the dilemma of black life in the 'New World', but Spooks is ONO going deeper, darker and denser than they ever have before. Joined by a slew of guest performers and fellow travelers, including Ministry's Al Jourgensen, Lamont Thomas of Cleveland's Obnox, Hilal Omar Al Jamal of Night Auditor, and longtime collaborator Shannon Rose Riley, the core band is at its most punishing, their Afro-industrial rhythms driving and ruthless. Singer travis, meanwhile, has never sounded so terrifying, or prophetic, as he conjures up, in his many voices, the "bleeding haints" of (pan)-American life: cotton gins, sugar plantations, CIA coups; "Brownsville" slumlords, South Side arrest rides, drive-thru funeral homes. "I try not to think about Spooks," he explains. "Spooks burns my loins. Spooks buries my unborn children. Spooks illuminate the (US) American landscape."

Spooks is no history lesson, or dry polemic. Its ghosts are still rattling their chains, their haunting perpetual and highly personal. It's hard to imagine where they can possibly go after as grueling (and brilliant) an album as this, but after heating up for some 35 years ONO is positively aflame--whatever they thrown down next might literally melt the wax."

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Venue Information:
The Hideout
1354 W. Wabansia Ave
Chicago, IL, 60642
http://www.hideoutchicago.com