William Tyler

William Tyler

Brokeback, Rebecca Gates

Fri, April 26, 2013

Doors: 9:00 pm / Show: 10:00 pm

The Hideout

Chicago, IL

$10.00

Tickets Available at the Door

William Tyler - (Set time: 11:45 PM)
William Tyler
Impossible Truth was born on tour as William Tyler was reading two books with an odd kinship while on long and lonely Midwestern drives: Barney Hoskyns’ Hotel California and Mike Davis’ The Ecology of Fear. Both center on the promise and psychosis of southern California, albeit from very different angles: Hoskyns tackles the naïve and narcissistic Laurel Canyon scene of the early seventies, while renowned social scientist Davis deals with the history of the destruction of Los Angeles, both in real and imagined disasters. The synchronistic tackling of these tomes inspired Tyler to compose a story rooted in apocalyptic expectation and bittersweet nostalgia. Or as Tyler puts it, this is “my ’70s singer-songwriter record; it just doesn’t have any words.”

Recorded and mixed at Beech House in Nashville and co-produced by Tyler and Mark Nevers, Impossible Truth features guest appearances from Chris Scruggs, Luke Schneider, Roy Agee, and Lambchop compatriot Scott Martin. 2010’s Behold the Spirit, William Tyler’s first album under his own name, was celebrated by Pitchfork as “the most vital, energized album by an American solo guitarist in a decade or more” and established him as a critical favorite, the picker who, according to his friend and tour mate M.C. Taylor from Hiss Golden Messenger, “connects the dots between Sandy Bull, Richard Thompson, Bruce Langhorne, and Reggie Young."

Impossible Truth will challenge your ideas of what an instrumental guitar record can and should be. As Taylor puts it, “William will worry a phrase—some tangled chordal wormhole—until you are certain it’s all that exists. He’ll take you over the stiles, he’ll love you up and down, and then he’ll make you cry for the world and what we’ve done to it. Willy T’s got the vampire blues. And there’s only one like him.”
Brokeback - (Set time: 10:45 PM)
Brokeback
Douglas McCombs’s goal for his longstanding Brokeback project has always been to do service to those fleeting moments in life when everything seems clear and defined and beautiful and the hair stands up on the back of your neck. These moments are hard to describe and by their nature impossible to capture, but to try it is to be inspired. They’re not always auditory, but for their musical expression, think Roy Orbison when he's sad and lonely, or alternately when he’s feeling triumphant, a Tom Verlaine guitar solo, Stravinsky and Erik Satie, an Ennio Morricone crescendo. Or Billy Gibbons, in a lyric like "Ridin’ ’top the floodway on a Friday night / The landscape’s a fine and natural sight."

In the fall of 2010, when McCombs convened a new version of the band, Brokeback hadn't played a live show for more than two years and had not recorded any new music for eight. McCombs’s idea was not to start over, exactly, but to start fresh, approaching similar harmonic content from a different direction, taking into consideration the perspectives of the three new guys, Pete Croke (Tight Phantomz, Head of Skulls!, Reds and Blue), Chris Hansen (Pinebender, Head of Skulls!), and James Elkington (the Zincs, the Horse’s Ha).
Rebecca Gates
Rebecca Gates
Rebecca Gates is a US based musician, curator, artist and editor. She has released five albums, three as leader of the critically acclaimed group The Spinanes (Sub Pop), toured internationally, and appeared on numerous records by artists as wide ranging as The Decemberists. Akito Katayose and Willie Nelson. Her 2012 release The Float (12XU/Parcematone Presents) is a diary of time and travel recorded in six cities over seven years and features members of The Jicks, Thee Silver Mt Zion, Califone, Wild Flag and Tortoise + more: the Consortium.

"When I started playing solo, I went through a period where I became obsessed with how little sound I could make live. How quiet can I be and still have the shape of the song exist? With the new album, I knew that I wanted a rock and roll record but I also wanted to bring some of that stillness in." - Paris Review

"The Float is an astonishing record by any measure." - Dusted

"The Float touches on everything from elegant chamber-pop to slow-churn guitar rock. Gates’ dusky voice and elliptical lyrics have never sounded more haunting." - Chicago Tribune

“Whether folding Memphis R&B into slacker bedroom laments or post-rock abstractions into catchy pop, she nails the ennui of lovesick transitions and physical displacements with a marksman’s aim. And she might just possess the sexiest voice in rock.” – Entertainment Weekly

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Venue Information:
The Hideout
1354 W. Wabansia Ave
Chicago, IL, 60642
http://www.hideoutchicago.com